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tamaranth ([personal profile] tamaranth) wrote2025-10-16 08:43 am
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2025/161: Bliss and Blunder — Victoria Gosling

2025/161: Bliss and Blunder — Victoria Gosling
Sometimes he’ll be mopping the floor and listening to a couple of the regulars, and he knows it’s not from now. It’s from before. What’s more, time is supposed to be sequential, right? One thing happening after another. Things further back receding, more recent things feeling, well, more recent. Not for Wayne. [loc. 1637]

The Matter of Britain meets Jilly Cooper! The setting is the medieval town of Abury, in Wiltshire: the characters drink at the Green Knight, where Vern the landlord has an odd agreement -- 'anything you gain you give to me' -- with Wayne the barman. Arthur is a tech billionaire, Lance is a veteran with PTSD, Gwen is an influencer, Mo was adopted from a Bangalore roadside, Morgan is ... vengeful. 

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tamaranth ([personal profile] tamaranth) wrote2025-10-15 08:41 am
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2025/160: Olive and the Dragon — Victoria Goddard

2025/160: Olive and the Dragon — Victoria Goddard
Olive had dreamed of the next days a hundred times, for all it was no necessary tragedy for any of them, seeing fragments play out of a hundred different choices.
No necessary tragedy, if she chose aright.[loc. 61]

A novella set well before the beginning of the 'Greenwing and Dart' series, Olive and the Dragon focuses on Jemis Greenwing's mother Olive (deceased before the series proper) and her gift of seeing possibilities and probabilities. Read more... )

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tamaranth ([personal profile] tamaranth) wrote2025-10-14 08:39 am
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2025/159: They Called Us Enemy — Justin Eisinger, Steven Scott, George Takei

2025/159: They Called Us Enemy — Justin Eisinger, Steven Scott, George Takei

Following the attack on Pearl Harbor in 1941, over a hundred thousand Japanese-Americans (the majority US citizens) were relocated to internment camps. George Takei's family was among those affected, and this is his account of what it was like, as a small boy, to be taken away from everything he knew. At the time it was a great and often joyous adventure, but as a teenager he raged against his father for not standing up to the authorities. Only in later life did he come to understand how his parents did whatever they could to protect their three children. 

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tamaranth ([personal profile] tamaranth) wrote2025-10-13 10:46 am
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2025/158: The Summer I Ate the Rich — Maika Moulite and Maritza Moulite

2025/158: The Summer I Ate the Rich — Maika Moulite and Maritza Moulite
...what I am doing is only leveling the playing field. I have claimed my power for myself just as these wealthy people have done time and time again. And I will not feel bad about it, even if I am bending the rules to my will. [p. 319]

Brielle Petitfour is seventeen, Haitian-American, a gifted cook who's planning to start up a supper club in order to pay the bills. Her mother Valentine is in constant pain, and her health insurance won't pay out for the medication she needs. Brielle's father is out of the picture, and isn't the father of her half-sisters in Haiti, who form a Greek chorus (they're named after the Muses) to contextualise Brielle's family history. Brielle's best friend Marcello, also a chef and helping with Brielle's supper club, is expected to go into the family business: his grandmother runs a funeral parlour, which for complicated reasons is popular with the wealthy of Miami.

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tamaranth ([personal profile] tamaranth) wrote2025-10-10 09:48 am
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2025/157: Saltwash — Andrew Michael Hurley

2025/157: Saltwash — Andrew Michael Hurley
English delapidation was... the blistered formica on the tables of a seafront cafe. Derelict gift shops and thrift shops with whitewashed windows. A pub with steel plates over its doors. Cracked, pebble-dashed sheters along the promenade, roosted by gulls. [loc. 168]

I've enjoyed Hurley's previous novels (The Loney, Starve Acre, Devil's Day -- I note that I read all those in the space of two months!) but found Saltwash thoroughly depressing: bleak, nihilistic and devoid of joy. The setting (the eponymous Northern seaside town in November, delapidated and down on its luck) is dispiriting, and the protagonist is dying of cancer and raddled by guilt.Read more... )

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tamaranth ([personal profile] tamaranth) wrote2025-10-09 01:42 pm
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2025/156: Dreamhunter Duet — Elizabeth Knox

2025/156: Dreamhunter Duet — Elizabeth Knox
'I was finished. I wanted time to stop, and to let me stop with it. And I wanted revenge.
I ... said to the land, 'Bury me, and rise up. Rise up and crush them all.' [loc. 5131]

Rereads, after reading Kings of This World -- which is set in the same alt-Aotearoa-New Zealand, rather later than the Dreamhunter duet, which begins in 1906. My original reviews from (OMG) 2005 and 2007 are here: The Rainbow Opera and The Dream Quake.

The link points to the first of two volumes: the second has only just become available on Amazon.

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tamaranth ([personal profile] tamaranth) wrote2025-10-09 09:28 am
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2025/155: Sabella — Tanith Lee

2025/155: Sabella — Tanith Lee
There are genuine ruins (beware tourist traps) here and there. Thin pillars soaring, levelled foundations crumbling, cracked urns whispering of spilled dusts -- all the Martian dreams that old Mars denied to mankind. [loc. 53]

Another reread, when I was (unsuspectingly) coming down with a migraine: I last read this in the last millennium, and had forgotten much of it. It's a short novel, an SF vampire romance set on Novo Mars -- like original Mars, but pink rather than red, with rapid sunsets and mutated earth-import flora and fauna. 

The novel opens with Sabella Quey receiving an invitation to her aunt's funeral. There's an ominous bequest (her aunt was a devout Christian Revivalist, and knew about Sabella's unsavoury youth) and a gorgeous young man who tracks Sabella back to her isolated home, and does not question her about her aversion to sunlight, or the bottles of red juice ('pomegranate and tomato juice... my physician makes it up for me') in the fridge.

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tamaranth ([personal profile] tamaranth) wrote2025-10-03 04:33 pm
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2025/154: I Who Have Never Known Men — Jacqueline Harpman (translated by Ros Schwarz)

2025/154: I Who Have Never Known Men — Jacqueline Harpman (translated by Ros Schwarz)
I ... have no memories of my own childhood. Perhaps that’s why I’m so different from the others. I must be lacking in certain experiences that make a person fully human. [loc. 1546]

We first encounter the nameless narrator near the end of her solitary life, determined that her story will not die when she does. Gradually we discover her history: that her first memories are from an underground prison where she, and thirty-nine adult women, were held captive for years. She can't recall anything from before the prison, and none of the women can tell her much: just screams, flames, a stampede...Read more... )